Nothing kicks off a holiday weekend like giving Amazon more of my money, so I placed my $1.99 orders and saddled up to the old computer to catch up on what I’ve been missing on the paranormal show front in this year’s Season 3 episodes of “Ghost Adventures, Aftershocks.”

Jerome Grand street view

I love to watch the shows that cover places I’ve been to myself. The Jerome Grand Hotel episode had me wanting more footage of the actual hotel. Chris Altherr gave a very heartfelt recounting of his saving Bagans from the descending elevator (the same one where Claude Harvey died). Lonnie Anderson, and his wife, Renee, were fun to catch up with through the show, and I liked that they actually gave a positive story of an additional encounter that Lonnie experienced in his shop (located inside the Clubhouse). Kim Brasher, I can’t even talk to you right now, but I will be sending you a signed author’s copy of “America’s Most Haunted Hotel,” here in the next few weeks to thank you for the interview you gave us.

Rolling Hills Asylum
Rolling Hills Asylum

As to Rolling Hills, there were two new photos that I had not seen before that I found quite compelling. One was said to be of Roy, and the image showed a man’s torso, but not his legs. He was “standing” in front of a desk. If the photo were of a visitor, the legs of the desk would not have shown through! The other was a “scary” white face image outside the window of Emma’s room (45 feet off the ground). This was compelling to me because it reminded me of the photo I took at The Kehoe House in Savannah. I too, took a series of photos of the same window, just like this set that came out of Rolling Hills, and the face captured in both photos at these different locations shared very similar qualities. I have seen photos such as these one other time, and they were taken in the upstairs window at St. Albans in Radford, VA. I am no lighting expert, but of these three photos and three locations, the subject windows are all too high (seemingly) off the ground to be subject to any streetlight or headlights of passing cars.

Normally, I don’t get excited about other people’s “evidence,” but when you see something that matches what you’ve taken yourself, it makes you wonder.

Mostly, it makes me wonder why they are on the outside looking in, and if there can be any implications drawn by their positions. Are they not “allowed” in the building?

 

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